ART & DESIGN
A SIGNIFICANT CELEBRATION SARI EXHIBITION TO BE HELD IN THE DESIGN MUSEUM

This spring, the first significant exhibition of its kind to be held in the UK will debut, highlighting the modern Indian sari. The Offbeat Sari will include more than 90 examples of avant-garde and legendary saris from pioneering studios and designers across India at the Design Museum in London in May. These examples will include the first-ever sari worn at the Met Gala and a foil jersey sari worn by Lady Gaga. The exhibition seeks to provide viewers with a brief glimpse of the current sari fashion revolution.
“A sari is one of the most ubiquitous garments in the world,” says Priya Khanchandani, the exhibition’s curator.
The sari has a lengthy history dating back to 5000 years. It is a single piece of unstitched material that is draped across the body and varies in density. It has endured throughout its history and changed in texture, material, and ornamentation to reflect shifting social contexts.

As a young person thirty years ago, Khanchandani continues, “you might not have worn it at all; IT WAS more of a mother or grandmother thing. It was classy and reminiscent. Even though it was expertly made and cherished, it might not have been worn. However, younger generations now play with it and appreciate it in a different way. Today, people value handloom fabrics made of a range of materials, such as the shimmering or translucent saris seen in the exhibition. Young women are eager to change the perception of the traditional clothing now that saris are being worn at important fashion events, such as the outfit created by designer Sabyasachi Mukherjee that Natasha Poonawalla wore to the MET Gala last year.
Designers like Abraham & Thakore, Raw Mango, Akaaro, and NorBlackNorWhite have incorporated cutting-edge methods and modern materials in this traditional form of clothing, and the evolution of the sari will be amply chronicled at the museum. There will also exhibit examples of couture saris, including those designed by Tarun Tahiliani for Lady Gaga in 2010 and Abu Jani Sandeep Khosla for Bollywood star Deepika Padukone to wear to the Cannes Film Festival in 2022.


Designer Sabyasachi Mukherjee said at the time: “I interpreted the dress code, Gilded Glamour, with an Indian gaze that revels in our multiculturalism and the authenticity of our design, aesthetic and craft legacies.”
The role of women in India has been difficult, and the nation has been slower to adapt for women, according to Khanchandan, who is passionate about diversity in design and the impact of under-represented voices. But as the MeToo movement gained traction and had a big influence in India, the sari started to represent female empowerment
“We’ve seen a female skateboarder wearing it, mountain climbers are wearing it, and its existence is displaying many representations of Indian women. They are gaining freedom from taboo images of domesticated Indians. In Bollywood, the sari used to be worn by objectified women, but this is increasingly being subverted.

People are now opting to “drape them differently, adorn them, knot them in intriguing places and make them more personalised, helping ladies exhibit their particular creativity more,” she claims. Influencers who wear saris are becoming more popular, as is the hashtag #SariNotSorry.
Some others are even wearing trainers and a T-shirt to create their own urban take on the attire.
Running from May 19 to September 17, 2023, is “The Offbeat Sari”. Adult tickets are now on sale for £12.60. To book and for more information designmuseum.org.
ART & DESIGN
MAARTEN DE CEULAER MUTATION FURNITURE SERIES

The furniture is all new. Maarten De Ceulaer’s “Mutation” line is created by arranging spheres of upholstered foam in an aesthetic pattern and finishing the piece with a velvet-like rubber coating then coating to keep it together. The pieces are truly individual as it would be impossible to recreate a single piece exactly. The concept for the design was inspired by the idea of organic sources replicating themselves and cells ballooning in unexpected ways.
In Ceulaer’s concept, the mutation is thought to have been caused by a virus or a nuclear reaction but as we look deeper, we wonder or question what we are looking at a little deeper – is it a piece of furniture, a work of art, or a piece of science? Or perhaps a political statement?
Sofas, chairs (with and without metal legs, with and without armrests), and stools are all part of the “Mutations” collection.
The pieces are available in a variety of bright colours as well as black.
https://www.maartendeceulaer.com/series/mutation-series


ART & DESIGN
BLACK JOY ON THE BASKETBALL COURT HONOURED BY LAKWENA MACIVER’S ‘JUMP PAINTINGS’

London based Lakwena Maciver’s series of ‘Jump Paintings’, can be currently seen at the Vigo Gallery (SW1Y 6BU, London) reflects iconic legends who graced the basketball court.

Her artwork comes alive with electric designs and bold bright colours to represent hope and optimism. London, Paris, Munich, and LA are just some of the locations in which her work has touched to communicate her passionate vision of “redemption, decolonisation, and paradise”. The scale of her reach over the past years has also included the Tate, Somerset House, Southbank Centre and Covent Garden, as well as The NY Bowery.

Her statement from the gallery explains how she likes the notion of the basketball court “as a platform or a stage where the players become almost like superheroes… The heights that they soar to… it’s like they are flying, somehow able to rise above the limitations of this world.” She goes on to share: “This is especially poignant for me given that basketball is indisputably dominated by African Americans, and their style of play has shaped the game.
Going back to her roots, Maciver’s Ugandan father, who spent the formative years of her child in East Africa, became engrossed by basketball’s politicisation. For example, she explains: how “The ‘slam-dunk’ for instance, one of basketball’s great crowd-pleasers, could be seen as a physical manifestation of Black power. So much so that it was banned in 1967 for ten years, coincidentally after a year of Lew Alcindor’s domination of the game,” she explains. “I see these paintings as an opportunity to celebrate black power, joy, and self-expression.”
You can explore the recurring motifs that appear in her work in person, as the ‘Jump Paintings’ can be viewed at Vigo Gallery now until February 28th 2022.
Instagram @lawkena
ART & DESIGN
KAWS “FAMILY” COLLECTION

On the 14th of February Valentine’s Day at 12 pm EST, KAWS is releasing their newest collection FAMILY. Hinting at it the family collection when the artist created a snow-like sculpture of a child Companion sitting on its parent-figures lap during the KAWS:HOLIDAY tour at Changbai Mountain.

KAWS FAMILY appears to feature two different sizes of KAWS BFF Companions, including a Companion holding a toy-sized Chum Michelin Man, a child-sized Chum Micheline Man, as well as a 13.5 foot BFF. KAWS announces this on their Instagram, revealing a Companion in the classic gray look, while another BFF and Chum Michelin Man are in neon Pink. All together these grouped together and in various sizes are what make KAWS FAMILY.
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